New work is important to Rorschach Theatre. We have produced countless regional and world premieres including the world premieres of Anna Ziegler’s The Minotaur, Jason Grote’s This Storm is What We Call Progress, Steve Yockey’s Reykjavik, Jennifer Maisel’s birds, Randy Baker’s Forgotten Kingdoms, Fengar Gael’s The Gallerist, Reina Hardy’s Glassheart, Erin Bregman’s A Bid to Save the World and the team written Truth and Beauty Bombs.
We encourage submissions in one of three ways:
1) A synopsis and 10-page dialogue sample or
2) An agent submission of a full script
3) Submission to our annual MAGIC IN ROUGH SPACES readings
With all submissions please include a resume and cover letter that also summarized the play’s developmental history. Because of the large volume of submissions we receive we cannot guarantee response.
We are especially interested in plays that are epic in scope but intimate in their exploration of human psychology. Plays that include elements of mythology and the supernatural while remaining contemporary in their themes and settings. Plays that might be described as magic realism. Plays that might be described by some literary managers as “impossible.”
For all inquiries please email firstname.lastname@example.org
with the following in the subject line:
SUBMISSION / name of playwright / name of play / date / DRAFT *
SUBMISSION / Randy Baker / Forgotten Kingdoms / 8.11.2012 / SECOND DRAFT
* For “DRAFT” please indicate whether you see this as a
FIRST DRAFT: Looking for significant play development on its way to a production
SECOND DRAFT: Looking for some development on its way to a production
THIRD DRAFT: Almost there, but looking to make some changes in rehearsals on its way to production.
FINAL DRAFT: The play is ready and you are not looking to make changes